Civil War Concept Art World War 3 Concept Art

(Fifty–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Lord's day/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If y'all've ever taken an art history class or spent time in a fine arts museum, chances are yous know a lot about the men who "defined" their mediums. As with other subjects, almost of what we larn most art history today still centers on white men from Europe and, later, the United States. In reality, there are so many more than artists of all genders to larn from and capeesh.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the art world's almost iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, still have a mitt — in changing the earth of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'southward portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the piece of work of painters like Cézanne and Monet while away, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman'south Untitled Film Stills (1977–80). serial. Photos Courtesy: Museum of Mod Art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Pic Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female person film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the functioning Cut Piece, 1964, and a picture show of the installation One-half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Y'all might kickoff remember of Yoko Ono as a musician and activist, but she's too an accomplished operation and conceptual artist. Ono was considered a pioneer in the performance fine art movement, earning the nickname the "High Priestess of the Happening".

One of her almost revered works, Cut Slice, was a operation she first staged in Japan; Ono sat on stage in a nice suit and placed scissors in front of her, and, in an deed of daring vulnerability, invited audience members to come on stage and cut away pieces of her article of clothing. "Art is like breathing for me," Ono has said. "If I don't practice it, I commencement to choke."

Betye Saar

Betye Saar'southward Black Daughter's Window, 1969 (full and particular). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her unabridged career trajectory — and, in plough, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If y'all tin get the viewer to look at a work of art, and so you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the Earth Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is all-time known for exploring themes like decease and identity through her self-portraits. Kahlo frequently used bold, bright colors to create her symbol-rich works, and was regarded as 1 of the nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she'southward also known for her hyper-existent sculptures, polka dots, installations, and and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Commencement Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama'southward portrait at the Smithsonian'southward National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'south work — and her signature grayscale skin tones — as she was the start Blackness woman to consummate a presidential portrait for the Smithsonian'southward National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known equally the female parent of American modernism, you probable associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art earth, all past painting in her unique manner.

Adrian Piper

Adrian Piper wins the Golden Lion for all-time artist in Okwui Enwezor's biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her piece of work to question guild, identity, and racial politics past demanding the audience to confront truths virtually themselves. She oft challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to study fine art in Los Angeles, California — before the Islamic republic of iran Islamic Revolution took place. She is all-time known for her photography, pic, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advert billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, cognition, and promise. One of her more notable works, I Smell Yous On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore's art addresses identity and history — and, in detail, houselessness and the voicelessness of the Starting time Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American culture. In 2005, she was the kickoff Indigenous woman to stand for Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — similar the spider to a higher place — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual art were the main styles shaping the fine art earth.

Mickalene Thomas

Mickalene Thomas' A Picayune Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop civilization and pop art, Mickalene Thomas frequently embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces frequently examine the role of women in history and culture — in the 1970s and before. While at California Country University in Fresno, Chicago founded the beginning feminist art programme in the United States.

Augusta Savage

Augusta Brutal with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Fine art/Wikimedia Commons

Augusta Cruel was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, ofttimes of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later on, she became the offset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just expect up her most famous piece of work, Interior Scroll, and you'll see what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In improver to documenting New York City'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'south the idea! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of fine art culture.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa's last public committee was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a fashion that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Touch Honor at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global bug such every bit racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).

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